Artist Spotlight ~ Mary Ann Celinder of Celinder's Glass Design

Meet Mary Ann Celinder of Celinder's Glass Design

Mary Ann Celinder is a glass artist in Huntington Beach, CA.
Most of her work is residential stained and leaded glass windows
with an emphasis on entry systems.
She’s been creating windows since the mid 70’s.

Mary Ann's fascination with glass began as a child sneaking peaks at the rose window in church. At sixteen, she began to paint on glass, but pursuing a love of literature, received her B.A. in English from Cal State Fullerton in 1976. Art classes were always in the schedule and in her senior year, a course in stained glass changed her direction.

"I used No Days Glaze in the sky and border.
The panel was built in 3 sections for an overall 6’ x 6’.
The No Days also went into the joining came at the job site."

"I was hooked as soon as I completed my first window. I knew this would be my life's work. I feel very lucky to make a living doing something I love." The next several years were spent studying glass and design by taking additional art classes.

Exterior view of the eagle transom.

Mary Ann worked for two local studios. One did restoration work for auction houses. This was a valuable lesson in learning why a window fails. Between commissions, she worked at another studio, but her desire to create her own designs pushed her to open her own studio.

"Beveled diamonds in a turret."

Most of her studio's work is in private homes and restaurants throughout South California. 

"The home is on a windblown Chino Hills rise.
Subject to lots of weather, we didn’t want to take any chances with the elements.
So we used No Days Glaze to create a weatherproof seal between the
diamond bevels and the lead came."

There are six leaded glass panels in total.

"The No Days Pre-Glazed Came made the
four lighting inserts very stiff.
(Someday those light bulbs will need changing!)
We also wanted to keep the (food) prep area free from putty debris."
Overall size: 105” x 42”.

"The interior designer wanted the look of wrought iron with the textures of leaded glass.
By cutting the lead heart out with a Dremel blade, I curled the lead as desired.
The lead is secured (to the glass) with No Days Glaze. Heated on both sides, it held well."

"With the large center panel, No Days Glaze was great for holding the borders to the glass.
It will keep the panels together so they won’t spread apart or leak."

"There are reinforcement bars in the skylights,
but using the No Days Glaze made the panels stiff while handling,
and we’re not worried about them sagging."

"No Days Glaze made installation easy because it
reinforced the panels and prevented them from sagging or bending."

The project is in a home movie theater in Beverly Hills.

"The (mosaic) stairs were laid in thin set.... what a back breaker!
Three steps was all that could be handled in a day."

"I wised up on the top landing and bought a wonder board and No Days Mosaic Adhesive film.
The 3’ x 3’ section was worked at a comfortable table height, then dropped into place.
That’ll be the plan next time we do a stairwell for the whole project!"

Celinder’s Glass Design is affiliated with the Stained Glass Association of America. Mary Ann is a founding member of the International Guild of Glass Artists and serves on the Guild’s Advisory Board. She is also a member of the Huntington Beach Art League and BNI, a business networking group.

Mary Ann Celinder
Celinder's Glass Design
21341 Fleet Lane
Huntington Beach, Ca 92646 

Studio 714 962 8361

www.customleadedglass.com

Glass on Glass Lotus Mandala by Debbie Percelay

Debbie's mosaic based on pattern by calyxann.etsy.com

Recently, Debbie shared some pictures of the glass on glass mosaic she had been working on. Along the way, she had a few questions about different methods of heating the No Days Mosaic Adhesive. Debbie asked, "Can I put the entire piece in the oven? If so at what temp?"

Placing all the mirror and dichro dots just so...

 Yes, yes, you can! When I'm working on larger glass substrates, I put the piece in the oven at room temperature, and then set the temperature for 180º-200ºF.  While the mosaic heats up, I work on other projects around the studio/house. The adhesive goes clear and looks wet when it melts. After 10-15 minutes, I'll check back with the mosaic and test the pieces a bit using a pair of long tweezers to see if they slide easily.

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"No nasty fumes? That's great! I imagine this will be much better than using my embossing gun! Should I set it straight on the oven rack?"

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 Placing the mosaic straight on the rack is fine. Heating the piece in the oven gets the job done much more quickly and evenly than heating with a heat gun or embossing gun. If you're using a heat gun, you have to slowly heat the whole piece very evenly. If you don't heat a large glass substrate evenly, there's a chance of thermal shocking the glass, which results in a big crack! I have heated a larger piece with a heat gun in a pinch, but it's definitely a patience game. Using the oven (or a kiln) to heat the piece allows you to multi-task. After it's heated evenly in the oven and you remove it, you can continue to heat with your embossing tool to move pieces into place.
 

When the light reflects off of the mirror and dichro, there's tons of sparkle.

When Debbie finished her project, she shared pictures of it in the sun and in the window with backlighting. "I love it Carrie! When it's hanging in the window it's harder to see the dichro blobs and mirror, so maybe it will hang on a wall at some point. Already thinking about the next one!"

When the light is shining behind the piece, the bright, transparent colors
in the middle grab the spotlight!

Below is a video for working with No Days Mosaic Adhesive in glass on glass mosaics:

2014 Glass Craft & Bead Expo ~ Upcycled Yard Art with Jacqui Bush

Upcycled Yard Art with Jacqui Bush

Join No Days Artist & Instructor Jacqui Bush at the Las Vegas Glass Craft & Bead Expo on Wednesday, March 26th from 9am-5pm, and learn how to create gorgeous yard art using her No Days shortcuts!

WE_11 - UPCYCLED YARD ART
What do you do when your wall art meets up with the shipping company and turns into a bunch of different pieces? Cry? Scream? How about getting creative with a little bit of lead, solder, and copper foil to turn it into Yard Art !!! Join us as we take broken glass, rondels, glass globs, copper wire, and anything else we can think of and make bright beautiful garden art for your outdoor areas. A new way to up-cycle your scrap glass. No experience necessary with this class. Students bring: glass tools, soldering iron with rest, flux, 60/40 solder, cutter, running pliers and any interesting items you may want to use.

Time Lapse of No Days Glaze Stained Glass Window Construction

Giving back to the Community ~ Steve's Kids

Second Grade Garden Sculpture ~ Serpent

We love receiving feedback from customers. We're always blown away by the amount of creativity there is out there! We also love to give back to the community whenever we can. In this case, we donated No Days Mosaic Mesh and No Days Glaze to the Old Town Academy for their annual fundraiser Gala. The students are led through the art making process by amazing teachers, artists, and volunteers creating fantastic artwork that gets auctioned off.

Starry Night Table created with No Days Mosaic Mesh

No Days Glaze Leaded Stained Glass Window Project Sheet

To download the pdf, visit Streuter's project gallery.

Occasionally, I'll add new project sheets to the Streuter website. Here's one that's been around for awhile, but it's a great way to introduce yourself to NO Days Glaze.

Building a NO Days Stained Glass Window with the Professional Fast Cure Method

The Professional Fast Cure Method using the NO Days Universal Curing Station

Using the Professional Fast Cure Method of construction with No Days Glaze pre-formed glazing strips or No Days pre-glazed lead or zinc came, you build and solder the window, and heat set the glazing with the Universal Curing Station. The No Days Universal Curing Station is available in standard sizes from 12" x 12" up to 48" x 24". Curing stations are available in custom sizes up to 8 square feet.

Preventing Stained Glass Pattern Growth with No Days Glaze

When constructing a window with No Days Glaze using the Quick Cure or Professional Fast Cure Methods, you construct your window, solder and then heat set the No Days Glaze. These methods are much quicker than the heat as you go Hobby Cure Method, but you’ll need to adjust your pattern for the added width of the No Days Glaze on either side of the heart of the lead came.

Building a Stained Glass Window with No Days Hobby Cure Method

Working with No Days Glaze - The Hobby Method


The Hobby Cure Method of construction is a great way to practice using the No Days Glaze product. It is the slowest method of construction, but does not require adjusting the stained glass pattern for the width of the No Days Glazing material.


With the Hobby Cure Method, the window is assembled, heated, and cured piece by piece.


Constructing a small project with the hobby cure method allows you to see how long it will take to melt the No Days Glaze with the heat gun, as well as letting you adjust to using the heat gun.


First, insert the NO Days Glaze into a lead or zinc channel and cut to size. You may need to use a tool to help the glaze into the channel of your lead or zinc came.

Ordering, Sizing and Securing No Days Glaze for Stained Glass

No Days Glaze by Streuter Technologies are pre-formed glazing strips made for use in the construction of leaded or zinc stained glass windows. 


No Days Glaze comes in rolls of 25 ft, 50 ft, 100 ft and 250 ft.
and in three colors: black, clear and pewter.

Introduction to No Days Glaze for Building a Stained Glass Window

No Days Glaze by Streuter Technologies are pre-formed glazing strips made for use in the construction of leaded or zinc stained glass windows. 


No Days Glaze has several advantages over the traditional putty method. Our glaze is designed to be inserted into the lead or zinc channel before the glass. This adds a step during construction, but eliminates the tedious and messy process of traditional putty or cement glazing methods, in effect saving you hours, and sometimes days, that you would be waiting for the putty to set before installation of the window. 

The Quick Cure Method of Building a Window with NO Days Glaze

Working with No Days Glaze - The Quick Cure Method
 

Using the Quick Cure Method of construction with No Days Glaze, you build the window, solder the joints, clean the flux, heat set the glazing and the window is ready to install.

If you’re using the No Days Glaze pre-formed glazing strips, begin by inserting the No Days Glaze into the edge came and lead channels. 

How to use the No Days Angle Lead Cutters for Stained Glass Leading

The No Days Angle Lead Cutters from Streuter Technologies are made to last with durable stainless steel construction featuring an Ultra sharp cutting blade, a thumb engaged locking mechanism to hold the sharp blade closed while not in use, and comfortable rubber grip handles.